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Paintings at the MCA Museum - Essay Example

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"Paintings at the MCA Museum" paper examines Changing Painting by Robert Gober, Altmejd’s sculptural installations, and “Pellucid" by Boulder-based artist Rebecca DiDomenico. Altmejd’s sculptural installations that make use of reflective elements are widely known and well-appreciated. …
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Paintings at the MCA Museum
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Extract of sample "Paintings at the MCA Museum"

Robert Gober’s artwork presents changing images. There can be various approaches to the way the above figure can be interpreted. On the left part of the picture, there is the image of a man’s chest with hairs along the midline of the chest and around the areola. In the right half of the picture, the chest appears inflamed and there is no hair growth over it.

Some viewers conceive the right half as the chest of a woman, while others refer to it as a male’s chest with the condition of gynecomastia, in which the excessive fat accumulation under the areola of males makes their chest look like that of women. In some cases, gynecomastia can appear on both sides of the chest. In other cases, a man may have gynecomastia on one side of the chest, as appears in the picture above. However, in regular gynecomastia, the breast becomes enlarged but the hair growth remains the same on both sides, unlike the picture above.

Overall, the picture is unique in the subject and color theme. The picture above is one of the earliest paintings of Robert Gober. The artist transforms the canvas into a capacious and multifaceted platform full of contrasting themes. Painting 3: Butterfly wings (MCA Denver). “Pellucid by Boulder-based artist Rebecca DiDomenico is a site-specific installation featuring a gallery transformed into a fantastical cave designed as an immersive environment” (MCA Denver). There are as many as 60000 hand-manufactured dangling stalactites and mica scales which the visitors can see and enjoy while walking through the gallery.

Every scale consists of the jeweled wings of butterflies. Brightly colored trash bits of plastic complement the natural beauty of the butterfly wings. DiDomenico compares the junction of plastic trash and butterfly wings to the junction of the physical and ephemeral worlds. Wings of natural butterflies transform into shining and colorful powder when someone touches them. To avoid that from happening, butterfly wings in the artwork have been preserved under the plastic coating.

The plastic coating is truly, the best material for selection here for many reasons. First, it is transparent, so the natural beauty of butterfly wings remains unaltered. Secondly, the plastic cover is durable, so the artwork can sustain for a long. Plastic can not be decomposed, thus lending eternity to the art. This is one of the finest artworks of DiDomenico. 

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